Marijana Mikić awarded Post-DocTrack Fellowship

Marijana Mikić has been awarded a Post-DocTrack Fellowship by the Austrian Academy of Sciences (OeAW). During the time of the fellowship, she will be working on her first monograph, based on her dissertation, “Race, Space, and Emotion in Twenty-First-Century African American Literature.”

The planned book project draws on and brings together insights from cognitive research on emotion, narrative theory, African American studies, and Black geographies to investigate the ways in which twenty-first-century African American storyworlds interrogate emotions as varied as fear, hope, shame, guilt, anger, and grief. Delving into the various formal means and narrative strategies that novels by Toni Morrison, Colson Whitehead, Percival Everett, N.K. Jemisin, Edward P. Jones, Brit Bennett, Maurice Carlos Ruffin, and Sherri L. Smith use to support their thematic interrogation of individual emotions as closely linked the social production of race and space, it argues that there is much we can learn about “emotions in context” from African American narrative.

Following the central goal of the Narrative Encounters project, the planned monograph seeks to illuminate the ways in which literary texts that grapple with questions of race, ethnicity, and identity force us to pay more attention to the social and systemic forces that produce emotions, while they also bring into focus the decidedly collective ways in which minoritized individuals and communities understand, grapple with, and address emotions.

New Publication by Mario Grill on Guilt, Shame and Anger in Cherríe Moraga’s Native Country of the Heart

Mario Grill has published an article entitled “Guilt, shame, anger and the Chicana experience: Cherríe Moraga’s Native Country of the Heart as voice of resistance”. This article is part of a double special issue of Prose Studies, edited by Frederick Luis Aldama and Katlin Marisol Sweeney.

This article points towards a Latinx literary studies’ focus on nonfiction, more precisely on the affective and political function of the Chicana memoir. In this cognitive narratological analysis, Grill explores how mentally and emotionally sharing such narratives of resistance might decelerate the constant fueling of a system of intersectional racism. Considering both material and ideological moves to dehumanize Latinxs, this article argues how Cherríe Moraga’s Native Country of the Heart (2019) employs “emotionalizing strategies” to create a narrative of resistance against the colonialization of the mind through new conceptualizations of “empowering cultural imaginaries”.

Photo: Eugenio Mazzone